The Fate of the Finance Bro

From classic eighties films like “Wall Street” to Bret Easton Ellis’s 1991 novel “American Psycho,” the world of finance has long provided a seductive backdrop for meditations on wealth and power. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the many portrayals of this élite realm, and how its image has evolved over time. Where earlier texts glorified Wall Street types as roguish heroes, the Great Recession ushered in more critical fare, seeking to explain the inner workings of a system that benefitted the few at the expense of the many. In 2024, as TikTokkers and personal essayists search for “a man in finance,” things seem to be shifting again. HBO’s “Industry,” now in its third season, depicts a cadre of young investment bankers clawing their way to the top of a soulless meritocracy—and may even engender some sympathy for the new finance bro. Why are audiences and creators alike so easily seduced by these stories even after the disillusionment of the Occupy Wall Street era? “We're talking about something—money—that is fun, and that we all on some level do want,” Cunningham says. “It’s always going to make us feel.”

Read, watch, and listen with the critics:

“Industry” (2020—)

“Wall Street” (1987)

“You don’t have to look for a ‘man in finance.’ He’s everywhere,” by Rachel Tashjian (The Washington Post)

Joel Sternfeld’s “Summer Interns, Wall Street, New York”

“American Psycho” (2000)

“American Psycho,” by Bret Easton Ellis

“Wall Street: Money Never Sleeps” (2010)

“The Big Short” (2015)

“The Wolf of Wall Street” (2013)

“Margin Call” (2011)

“The Case for Marrying an Older Man,” by Grazie Sophia Christie (The Cut)

“My Year of Finance Boys,” by Daniel Lefferts (The Paris Review)

“Ways and Means,” by Daniel Lefferts

“Custom of the Country,” by Edith Wharton

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Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

• No. of episodes: 85
• Latest episode: 2025-06-12
• Society & Culture

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